No, he’s as dull as ever, puzzling over every decision by squinting into the middle distance, perhaps in search of the next absurd deus ex machina on the horizon. Jon’s the only person left on Game of Thrones who hasn’t become an outright caricature as everything descends into chaos.
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No wonder Varys is speaking up for the smallfolk and casting his eyes toward the stoic, if pliable, Jon Snow as a potential alternative. Gendry made some nice weapons for the battle and was Robert Baratheon’s son? Why not put him in charge of Storm’s End, a castle he’s never visited and a job he’s probably wildly ill-suited for? Daenerys never met a problem she couldn’t solve in a second, but that was how things went so bad in Slaver’s Bay, and her approach to Westeros has been similarly painful. Even before she started talking about annihilating everyone at King’s Landing, the Mother of Dragon (singular) was displaying the same shoot first, ask questions later tactics she favored in eastern cities like Meereen. Worst of all, of course, is Daenerys, who has now lost her two dearest allies (Jorah and, sigh, Missandei) and is starting to lean very heavily on the Mad King’s favorite “burn it all down” strategy going forward. Tyrion, a supposed grand master of strategy, has been reduced to shaking his head with frustration as Varys openly ponders treason in front of him. Sansa pondered aloud that maybe her time being abused by Ramsay Bolton and Littlefinger was character-building. Brienne, after one intimate night with Jaime, became a blubbering fool, begging him not to go off to battle when she’d usually be the first one leading the charge. Jon, nobly honest to the last, couldn’t help but tell everyone within earshot about his Targaryen heritage. Far scarier was how in “The Last of the Starks” each cast member was behaving so wildly out of character. Euron just isn’t scary enough to kill a dragon.Ĭersei, atop the walls of King’s Landing, is a little more frightening, but she’s not much more than a boogeyman at this point, an obstacle for Daenerys, Jon, and everyone else to argue over. But the only reason they’re dying off now is that the show is nearly over, and Benioff and Weiss know it’ll jolt the audience into thinking things have gotten real serious. It’s not that I object to the fallibility of dragons. Maester Qyburn’s concept of “how about a crossbow, but bigger” was silly enough when he constructed one last season, but apparently in just a few weeks he’s been able to cajole the starving citizens of King’s Landing into building dozens of them and mounting them to every battlement and ship in sight. Simply put, he shouldn’t be able to bring a dragon down, certainly not by somehow sneaking up with a fleet of boats in the open ocean and shooting … a bunch of big arrows into the sky. But it got there by having irrelevant nincompoops like Euron magically crash through everything. By the end of the episode, the story was in the right plotting spot, previewing a big showdown between Cersei and Daenerys.
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But then a bunch of things just happened, essentially out of nowhere-happened so quickly that it was hard to ponder their relative plausibility (yes, even a show this fantastic needs to feel plausible once in a while). In the first half of “The Last of the Starks,” it seemed viewers were in for another episode of conversation and resolving long-simmering romances, as Daenerys and Jon’s forces recovered from the big battle the night before.
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Martin’s source material and tried to wrap things up as neatly as possible. The continued existence of this character-utterly one-dimensional, introduced late in the game, whose only seeming purpose is to smash things up-really exemplifies the issues I’ve had with Thrones as it has moved beyond George R. Morons online complained about Arya’s combat skills last week? Euron’s the one who keeps punching above his weight.
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He tossed his brother Balon off a bridge, built a fleet of a thousand ships in an instant, obliterated the entire Dornish royal family, and now has somehow managed to kill one of the show’s two remaining dragons in his continued campaign to impress Cersei Lannister. For three seasons now, I’ve had to suffer through this goth pirate fool barging into scene after scene to inexplicably tie up some loose narrative thread that David Benioff and D. Because no screeners were made available to critics in advance this year, we’ll be posting our thoughts in installments.ĭavid Sims: I don’t know where to begin with this one, so I suppose I’ll start with the last person I’ve ever wanted to talk about on Game of Thrones: Euron Greyjoy. Every week for the eighth and final season of Game of Thrones, three Atlantic staffers will be discussing new episodes of the HBO drama.